Reaktiv Media Group

Live Event Production By Musicians For Musicians.


Live Audio Mixing

Live audio has been the focus of my work for the past several years, mixing everything from small club stages to regional touring shows. My approach is straightforward: clean gain structure, organized routing, and mixes that translate well across the entire room. I’m less concerned with flashy processing and more focused on making sure every element sits where it should so the performance comes through clearly.

I regularly work with compact digital systems like the Behringer X32, often paired with a MacBook running Waves SuperRack to bring familiar studio tools into a live environment. The goal is always the same—support the band, keep the system stable, and deliver a mix that feels as good onstage as it does in the crowd.


Lighting Design - GrandMA2

My lighting work centers around the MA Lighting grandMA2 platform, where I focus on building clean, organized show files that are easy to run and adapt in real-world situations. Whether the show is tightly programmed or being run live, the system is laid out to stay flexible and responsive throughout the night.

I tend to program with performance in mind—strong dynamics, clear visual movement, and cues that complement the energy of the music rather than distract from it. Like audio, the goal is consistency and reliability so the show looks solid no matter the room or production scale.

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FoH & IEM Mixing

RF Coordination, digital signal logistics, compact FoH/Monitor Rig with optional Behringer S16 stagebox/wireless microphone bundle.

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Recording, Mixing and Mastering

My background in recording and production spans many years of writing, tracking, and finishing my own music as well as working with other artists. I focus on capturing solid performances at the source and building mixes that stay clear, balanced, and musical without excessive processing.

Whether tracking live instruments, editing sessions, or finalizing a master, the goal is always the same: translate the intent of the performance into a finished record that holds up across different listening systems while still feeling natural and dynamic.

Pricing

Pricing varies by production needs, typically starting around $300/day for house systems and up to $800/day when providing my own mixing rig, processing and microphones.

**Full PA rental rates available upon request.**

Contact Form

For booking, please leave a message. I'll respond as soon as I can.

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